Driver: Parallel Lines

All of which ought to take care of the general foil. The meat of the game, of course, is what you're instructed to do in the car: the missions. These are split between the 1970s, where antihero The Kid gradually becomes part of a proper criminal cabal, and 2006, where we rejoin him after a stretch inside engineered by his treacherous partners in crime. The latter section, I'm told, is quite "Kill Bill" in its approach.

There's definite variety in the types of "main" mission, and a wealth of things to do besides. On one you'll be told to race through three speed cameras at different velocities to test them out. Another involves turning up to test-drive a prison guard's sports car and keeping the needle in the red long enough to frighten him into coughing up details of the prison's security arrangements; later you'll use a truck and then a digger to break into a prison, run around on foot a little, and then escape to a safehouse in a van. Another time you have to follow a chopper from below using a bike, picking up the parcels it drops, and this one's interesting because it varies the pace, going from simple pick-ups to a bit of platforming-style ramp-navigation through to the top of a building, before going for an all-out-sprint conclusion.

Those are all examples of the 70s. In the present day, I saw a couple of other examples, including one involving the escort of a fellow crim's car through ambushes, taking out goons using 4x4s and gunning down the survivors out of the window. The other was one of what I'm told is quite a few film-style missions; a French Connection-inspired chase that sees you following an overhead train uptown, using the pause-screen map to chart a course parallel to it and then chasing the lucky passenger into an amusement park on foot for a bit of leaden payback.

The key thing to note here is that while some missions are tricky, they're never stupid. You might be driving a truck you've got from an airport car park off to get a bomb fitted, but while you're warned not to "scratch" it, you actually get a reasonable health bar to work through. Same goes for the prison guard's sports car; short of actually blowing it up, you don't fail. There are no moving ramps on the backs of lorries to fail to mount, no impossible time limit to fail to do so in. When you do fail missions, you can hit select to restart immediately, with very little load time. It checkpoints them too; when I failed the platformy bit of the bike mission I mentioned, it put me at the start of that section, not the start of the whole mission. You can restart from the pause menu whenever you like. No yellow cab back to the mission-start with no weapons or cars. And while you are screwed if you put a car on its roof, it's okay if it's on its side. You can even nudge it back over onto its wheels with another car if it's mission-critical. There's sensible design all over - you can even view mission briefings from the map screen without having to go the whole way to them.

On top of the main missions, side missions are available to help accumulate cash. Street races, stealing to order, debt collection, track races. You can take these on when you like, and they come in different difficulty bands; track races even let you choose by driving into a particular garage. They're not just throwaway either. GTA's checkpoint races were often incredibly annoying because of that game's mission-restart methodology. DPL just lets you hit pause and restart if you foul up. I spent about half an hour happily attempting one street race over and over and it was fine because restarting wasn't a pain in the arse. Why doesn't GTA get this right?

These races also give you a chance to use modded cars. Ok, I know what you're thinking, but relax, this is no Need For Speed Underground. While you can do custom paintjobs (using slider bars to find your perfect mix of red, green and blue), it's all quite simple: you just spend cash on upgrades or repairs in a handful of areas, and the addition of components like nitrous really make a difference. You can even add nitrous to cop cars.

Garages also serve another purpose: they're virtual teleports. One is located in each corner of the vast map, and you can walk into a green circle and then select another to hop to. And why not? Then you can access your stock of saved cars locally.

Souping up cars also allows you to explore a bit more. DPL doesn't have hidden packages, and exploration doesn't involve picking through back gardens on foot; this is about finding starred jumps. There are 100 big gold stars floating in the sky above jumpable gaps in the game, and locating them and working out how to jump them and securing the means to do so seems like an entertaining diversion, and makes good use of the "thrill cam", which cuts away to a slow-motion view. You can switch between alternative views with R2, and activate the thrill-cam at any time in the game by pressing down on the d-pad to toggle.

And of course, since it's Driver, there are also a lot of general cop chases. You have two wanted levels here - one for you the person and one for the car, with indicators for both. This is useful, since it means that when you're ordered to lose the tail, hiding for a bit and then switching cars out of the view of the cops' telltale cones of vision on the mini-map can save you having to wait around for too long. Taken to the other extreme, you can wind them up to the point they send SWAT and helicopters after you, and yes, you can shoot the choppers down with rockets. Or you can just hop into a cop car to net a shotgun and then go and get resprayed in something else like a proper criminal.

The full game will include some 40 or so missions and 80 vehicles, as well as a licensed soundtrack featuring the likes of Blondie in the 70s through to Kaiser Chiefs in the noughties. You can skip tracks by hitting up on the d-pad. You can even skip all the cut-scenes and plot if you want.

That's really the point of all this. Driver: Parallel Lines has been designed by a very wary developer. Supremely conscious of the last game, Reflections has gone to a great deal of trouble to make sure you're never pissed off or angry about some marginal detail. This isn't real life, and if it's in their power to work around some annoying side effect or design, whether it's being out of position at the point of mission failure or whatever, then they've tried to sort it out. If there's something that sums that approach up, perhaps it's what happens when you accidentally fly into the water: TK just respawns back on the nearest bank and pats the side of his head to clear out the water. No boats, no faffing; just get back in your car.