Saints Row

Combat rock(s)

As for the on-foot portion of the game, Saints Row gets things absolutely spot-on. The controls are just about perfect, giving you just the right amount of aiming sensitivity and making it possible to see what's going on with a precise and easy to use camera system that you control with the right stick. In this respect, Saints Row wins hands-down over the comparatively clunky GTA, and it's a testament to the intuitive feel of the controls that you don't miss the absence of a target lock-on. In addition, the weapon select process is also handled excellently, offering players the chance to call up a circular menu by holding down B, and quickly selecting with the left stick - an approach which makes it really easy to swap weapons in the heat of battle. On the other hand, Volition arguably goes too far in the other direction with its too-forgiving approach to health. By allowing the player to recharge their health by simply staying out of trouble for about 15 seconds, it's far too easy to romp through missions by backing off whenever there's a bit of trouble. It makes you lazy, and means that nothings ever that much of a challenge. Worse still, the AI gang members that you can bring along with you can be instantly and repeatedly revived if they run out of energy - so long as you get to them within 30 seconds.

Whenever you do fail a mission (for whatever reason), you get the chance to retry it rather than being dumped back where you messed up (or outside the police station/hospital). Not only does this simple process save you an enormous amount of time, but you're guaranteed to restart your failed mission with the same vehicle and weapons, rather than have to do all sorts of time-wasting preparation as is the norm in GTA. Admittedly, on the multi-part missions you still have to suffer the tedious frustration of doing the same long drive ("yes, you know I can do this bit"), and the same simple bits ("yes, you know I can shoot these guys") over and over just to get to the stupidly difficult end section ("you want me to chase after an insanely fast car that can squeeze through the tiniest gaps that you know I'll probably get snagged on. Thanks"), but we're still thankful for small mercies. On the whole, our blind rage was kept in check for most of the time, with only a few utterly ludicrous parts (delivery truck part 3 - that's all I'm saying) where we wanted to pour lemon juice into the eyes of the designers. If only so they could feel our pain.

There's also a small question mark over why Volition felt it was entirely necessary to clear each and every stronghold of each and every gang before you can unlock the final mission in each storyline. Not only is it a drag (requiring you to earn respect from numerous activities before the game deigns to let you play them), but the vast majority of the stronghold missions are the same trudge through a building filled with gun-toting, smack talking bitches(sorry). It's like those sodding warehouse missions in The Godfather - just put there to pad the game out and force you to do things that aren't especially integral to the game. But, in a mindless sense, you chip through them and feel a numb enjoyment from the comfortable familiarity. It's another of those guilty pleasures. The main problem, again, is the demented respect system that dictates the flow of your enjoyment when you should be given the freedom to play them or not.

Pimp my pride

Nevertheless, the game's exceptionally well put together. Even its approach to pimping yourself up is handled far better than any other comparative game, with the clothes, jewellery and tattoos you choose counting towards the amount of respect you earn (as part of a respect modifier applied when you succeed a mission). And as a sandbox, the diverse city of Stillwater is superb. Similar in size to Vice City, it's designed with the architectural flair of GTA III, which makes it possible to know where you are and where you're going in no time. Regardless of whether the buildings are important to the game or not, you sense that real pride has gone into creating a intricate city, with a character borne out of genuine craft rather than cut and paste haste. The graffiti designs and three dimensional façades give the place a real depth that's been lacking in other openworld games, and apart from the odd (very occasional) graphical glitch, it's a fine looking game. You might spot a touch of pop up where cars suddenly appear from nowhere, but it's nothing remotely game-breaking. The things that make up for such minor issues are the astonishing explosions, the varied weather and lighting conditions, and some of the crazy incidents you see on your travels. It's definitely a game with a real eye for detail that speaks volumes for Volitions pride in the project - but we just can't work out why the dev team allowed it to ship with such vile v-sync tearing. It's not something that normally catches our eye, but it's here in abundance, which is a great shame.

Elsewhere, the audio never even comes close to matching the peerless excellence of GTA. It tries to do exactly the same things, complete with multi genre radio stations, talks shows, crazed DJs and witty adverts, but it's rare to find yourself stopped in your tracks because of something you just had to listen to. The music selection certainly isn't bad, with a varied selection of classic rock, metal, modern alternative rock, classical and oodles of hip-hop. Far from being the rap overload it could so easily have been, it's actually very good, and goes much further than any other game that has attempted to ape GTA in the past. It was always going to be a tall order to top GTA's amazing radio stations, but Saints Row is a fine effort.

Perhaps inevitably, the online multiplayer is something of an afterthought, and at the time of writing is practically a waste of time thanks to some terrible lag issues that often make it unplayable. Using some hastily constructed arena maps that bear no resemblance to the main game, you've got a few basic deathmatch, capture the flag (chains, in this case) and escort-inspired modes (including team variants) to be getting on with, supporting up to 12 players either via system link or over Xbox Live. In addition, there's a team deathmatch variant that somehow manages to squeeze in the premise that you're pimping up your ride before your opponent, as well a few two-player co-op missions against AI. On the plus side, you can create your own gang or clan in the online world, but at this present time, it's hard to imagine why you'd want to spend too long suffering the lag problems that seem to affect every game. It's an issue the developer is well aware of, so it may well be fully fixed in due course, but be aware that players all over the world are reporting the same problems. The fact that the game's own manual skirts over the subject of online gives you a fair impression of how bolted on it was.

On reflection, Saints Row never quite measures up to its celebrated rival. Why? Well, not just because it's not as funny or as interesting, but because it lacks the true scope and ambition of, say, Vice City or San Andreas. For a start, the vehicles are focused on four wheelers, and that's that. No bikes, choppers, boats, tanks, planes, and definitely no jetpacks! By limiting the game in this way, it feels old school by design. It's 2001's GTA 3 with better visuals, essentially. And with only 36 story missions, the fun's over in about 20 hours, too. And that's taking the activities into account too. Yes, you will spend more time getting a 100 per cent rating, but maybe only in pursuit of those damned gamerpoints.