Hitman: Absolution Returns

It started out as a creative process first, with what we wanted to focus on. The foundation of the Hitman games is the AI, the moments within the game, the stories. Technology has also always been a part of our DNA at IO Interactive. So, once the creative ambitions were in place it was pretty apparent from the start it wouldn't be able to be done with just an upgrade on the Glacier 1 engine. We needed to build up a new engine from scratch to make the game we wanted to make. So, one of the first things we realised was we needed to make a whole new engine to realise this game.

The other thing, from a creative point of view, with the story there is a big change. In the prior games the structure of the story, the pacing of the story, was linked to the hit structure. Diana would give you a hit and that would push forward the story, with the next hit and the next hit. It's very different in Hitman: Absolution as we wanted to make the story a more personal one. Hitman is betrayed and on the run. So he needs to make the decisions now. You become a lot closer to Hitman, get to know a bit more about his background and who he is. You get to make the next steps, the next moves as Hitman would in the game.

There are a lot of interesting stories to be told with Hitman in the universe we built around it. It was something we never did before. It's very interesting to come a bit closer to the fact he's a clone. What is driving him? What are his ambitions? His nature? To understand that a bit more was very important and interesting for us to explore.

It was also linked to the very high ambitions in terms of the cinematic experience we want to deliver. We are working with Hollywood actors on this. On that point, it's very ambitious. So, I guess it's only natural, if they're compatible with having a more personal story and digging in a bit deeper into Hitman. It's a huge opportunity for us to explore that.

We want to emphasise on the core of our franchise, which is the freedom of choice. In the earlier games you would be dropped in the middle of a level and you would go round and explore how to solve the different obstructions and challenges in the game. You still have that choice. To one challenge, there are several ways of overcoming it, with different play styles. It was important for us to make those choices clearer.

The choices weren't clear before, and that was a challenge. And sometimes the controls were also a challenge. So we emphasised streamlining some of the controls in order to have the controls not be a challenge, but what's happening in the game, the obstructions in the game, the challenges in the game be a challenge. It's very clear to you what choices you have, then it's up to you what approach you take for that challenge and how you solve it.

But at the same time, we give you more choices than we have. Before, when you screwed up the stealth path, then it all went into action and then it was very hard, or the controls weren't up to spec. It's definitely a viable way, if you want to approach an obstacle, a challenge, in a very violent way. You can do that, and you can have a compelling experience out of that. If you want to do the extreme stealth assassin, it's very much still in there. You get a compelling experience from that as well. If you want to switch, there is a possibility to do that as well. So you can mix your play style, which wasn't possible in the earlier games.

Yeah. It's not only the way you play it, you can take other routes as well. This demo is a cinematic experience. It's very intense, and we wanted to convey our disguise and impersonation. We wanted to convey some action, some stealth. It's choreography. There is a path to it. But it's very important for me to say you can not only choose to play it like stealth or action through the whole level, you can actually take another route through it.

Typically, there will be three or four approaches to almost every situation in the game. You have stealth assassin achievements, so you can complete the game as a stealth assassin.